{"title":"The Long Road of Sand","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003ePresented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"versilia-2-2025-polaroid-12-7x13cm-n-a","title":"Versilia 2 - Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 001","offer_id":57676259656063,"sku":"00049950141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILIA2.jpg?v=1780494243"},{"product_id":"viareggio-2-2025-120x80cm-n-a","title":"Viareggio 2","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 002","offer_id":57676259983743,"sku":"00049960141080","price":16980.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VIAREGGIO2.jpg?v=1780494168"},{"product_id":"versillia-4-2015-60x40cm-n-a","title":"Versilia 4","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 003","offer_id":57676260245887,"sku":"00049970141080","price":6900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILLIA4.jpg?v=1780494034"},{"product_id":"versillia-23-2025-30x20cm-n-a","title":"Versilia 23","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 004","offer_id":57676260966783,"sku":"00049980141080","price":3540.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILLIA23.jpg?v=1780493912"},{"product_id":"versillia-19-2025-30x20cm-n-a","title":"Versilia 19","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 005","offer_id":57676261228927,"sku":"00049990141080","price":3540.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILLIA19.jpg?v=1780493864"},{"product_id":"versillia-1-2025-30x20cm-n-a","title":"Versilia 1","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 006","offer_id":57676261392767,"sku":"00050000141080","price":3540.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILLIA1.jpg?v=1780493792"},{"product_id":"capri-4-2025-60x40cm-n-a","title":"Capri 4","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 007","offer_id":57676261818751,"sku":"00050010141080","price":6900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI4.jpg?v=1780491508"},{"product_id":"capri-2-2025-60x40cm-n-a","title":"Capri 2","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. 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I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. 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Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 009","offer_id":57676262277503,"sku":"00050030141080","price":6900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI5.jpg?v=1780491132"},{"product_id":"napoli-7-2019-60x40cm-n-a","title":"Napoli 7","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 010","offer_id":57676262801791,"sku":"00050040141080","price":6900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/NAPOLI7.jpg?v=1780490995"},{"product_id":"capri-1-2025-90x60cm-n-a","title":"Capri 1","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. 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Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 011","offer_id":57676263031167,"sku":"00050050141080","price":12660.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI1.jpg?v=1780490926"},{"product_id":"viareggio-1-2025-90x60cm-n-a","title":"Viareggio 1","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. 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I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 015","offer_id":57676263424383,"sku":"00050090141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI4-POLAROID.jpg?v=1780490581"},{"product_id":"versilia-1-2025-polaroid-12-7x13cm-n-a","title":"Versilia 1 - Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 016","offer_id":57676263653759,"sku":"00050100141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILIA1-POLAROID.jpg?v=1780490404"},{"product_id":"capri-2-2025-polaroid-12-7x13cm-n-a","title":"Capri 2 Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 017","offer_id":57676263948671,"sku":"00050110141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI2-POLAROID.jpg?v=1780490276"},{"product_id":"versilia-3-2025-polaroid-12-7x13cm-n-a","title":"Versilia 3 - Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 018","offer_id":57676264079743,"sku":"00050120141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/VERSILIA3-POLAROID.jpg?v=1780490136"},{"product_id":"carpri-3-2025-polaroid-12-7x13cm-n-a","title":"Capri 3 Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 019","offer_id":57676267618687,"sku":"00050130141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI3-POLAROID.jpg?v=1780489991"},{"product_id":"capri-5-2025-polaroid-12-7x13cm-n-a","title":"Capri 5 - Polaroid","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 020","offer_id":57676267946367,"sku":"00050140141080","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI5-POLAROID.jpg?v=1780489930"},{"product_id":"capri-7-2025-105x105cm-n-a","title":"Capri 7","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. The pictures are unhurried and sun-soaked, suspended some\u003c\/span\u003e\u003cspan\u003ewhere between memory and observation: colours that recall postcards left too long in \u003c\/span\u003e\u003cspan\u003ethe sun, transitory silhouettes along the shore, where a certain idea of la Dolce Vita has \u003c\/span\u003e\u003cspan\u003esomehow refused to leave the Italian coast alone. Through them, Julien extends Pasolini’s \u003c\/span\u003e\u003cspan\u003egaze into something both new and beautifully familiar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a particular pleasure in showing this new work at Connolly. Julien himself de\u003c\/span\u003e\u003cspan\u003escribes the voyage as one that was born behind the wheel of an Italian sports car, and \u003c\/span\u003e\u003cspan\u003estill emanates with the spirit of summers once spent between Capri and Portofino.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e— Isabel Ettedgui\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Long Road of Sand is presented for the first time at Connolly, 4 Clifford Street, 3rd of June to the 30th September 2026.\u003c\/em\u003e\u003c\/p\u003e","brand":"Connolly","offers":[{"title":"O\/S \/ 07JDRACH 021","offer_id":57676268175743,"sku":"00050150141080","price":16980.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0211\/4220\/8561\/files\/CAPRI7.jpg?v=1780489666"},{"product_id":"napoli-35-2012-50x50cm-n-a","title":"Napoli 35","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Julien Drach’s, Trees of Rome opened at Connolly in 2023, his black and white pho\u003c\/span\u003e\u003cspan\u003etographs of Rome’s famous pines, felt like a quiet, sensory conversation between an art\u003c\/span\u003e\u003cspan\u003eist and a city. I am so happy to welcome him back three years later with The Long Road \u003c\/span\u003e\u003cspan\u003eof Sand, a series in cinematic colour photographs of the Italian coast, that takes its title \u003c\/span\u003e\u003cspan\u003efrom Pier Paolo Pasolini’s 1959 journey along the Italian shoreline for the magazine Suc\u003c\/span\u003e\u003cspan\u003ecesso, driving a Fiat 1100. It was a chronicle of a coast being reshaped by the arrival of \u003c\/span\u003e\u003cspan\u003eseaside tourism, and of Italy itself on the threshold of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2016 and 2025, Julien retraced that route, from Naples to Viareggio, by way of \u003c\/span\u003e\u003cspan\u003ethe Amalfi Coast and Forte dei Marmi, making images on analogue film, medium for\u003c\/span\u003e\u003cspan\u003emat, polaroid and digital. 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